{"id":2978,"date":"2024-07-16T13:59:00","date_gmt":"2024-07-16T11:59:00","guid":{"rendered":"https:\/\/archief.musica.be\/?post_type=performance&#038;p=2978"},"modified":"2024-10-15T15:00:09","modified_gmt":"2024-10-15T13:00:09","slug":"chamber","status":"publish","type":"performance","link":"https:\/\/archief.musica.be\/nl\/performances\/chamber\/","title":{"rendered":"CHAMBER"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Een gemeubileerde kamer, begrensd door transparante muren voorzien van zo&#8217;n 700 keramische tegeltjes, vormt de fysieke ruimte van <em>CHAMBER<\/em>. Reflecterend op het essay <em>A Room of One&#8217;s Own<\/em> van Virginia Woolf, laat de performance de existenti\u00eble noodzaak van verbinding voelen.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lage trilmotoren (voor autostoelen) doen de wanden trillen: de keramische tegels rinkelen, botsen, vallen en breken. <em>CHAMBER <\/em>gaat uit van de angst om als het ware opgegeten te worden door het isolement van de kamer, wanneer de muren die ons omringen, levendiger worden dan wijzelf. Audiofeedback, repetitieve ritmische patronen en de ademgeluiden van de Paetzold-blokfluiten en muren, benadrukken de bevreemdende dimensie van de leegte en griezeligheid van een slaapkamer.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Geluidsontwerp en scenario: Sarah W\u00e9ry &#8211;<\/em> <em>Scenografie, keramiek en licht: Milena Forest &#8211; Paetzold blokfluiten: Tomma Wessel, Ines Rasbach en Katelijne Lanneau (Trio Apsara) &#8211; Ondersteuning electronics: Patrick Delges (Centre Henri Pousseur)<\/em><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"http:\/\/sarahwery.be\" target=\"_blank\" rel=\"noreferrer noopener\">sarahwery.be<\/a><\/div>\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"http:\/\/milenaforest.com\" target=\"_blank\" rel=\"noreferrer noopener\">milenaforest.com<\/a><\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"CHAMBER\" width=\"1320\" height=\"743\" src=\"https:\/\/www.youtube.com\/embed\/U4IGTtvLW_M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/shop.ticket.monster\/event\/oortreders-festival-idpyry\" target=\"_blank\" rel=\"noreferrer noopener\">Koop nu je tickets<\/a><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1jigpZpkNVlxjXVsYS91LtA9eovaWDw0R\/view?usp=sharing\" target=\"_blank\" rel=\"noreferrer noopener\">Digitale Brochure<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Een gemeubileerde kamer, begrensd door transparante muren voorzien van zo&#8217;n 700 keramische tegeltjes, vormt de fysieke ruimte van CHAMBER. Reflecterend op het essay A Room of One&#8217;s Own van Virginia Woolf, laat de performance de existenti\u00eble noodzaak van verbinding voelen. Lage trilmotoren (voor autostoelen) doen de wanden trillen: de keramische tegels rinkelen, botsen, vallen en [&hellip;]<\/p>\n","protected":false},"featured_media":2980,"template":"","class_list":["post-2978","performance","type-performance","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/archief.musica.be\/nl\/wp-json\/wp\/v2\/performance\/2978","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archief.musica.be\/nl\/wp-json\/wp\/v2\/performance"}],"about":[{"href":"https:\/\/archief.musica.be\/nl\/wp-json\/wp\/v2\/types\/performance"}],"version-history":[{"count":7,"href":"https:\/\/archief.musica.be\/nl\/wp-json\/wp\/v2\/performance\/2978\/revisions"}],"predecessor-version":[{"id":3487,"href":"https:\/\/archief.musica.be\/nl\/wp-json\/wp\/v2\/performance\/2978\/revisions\/3487"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archief.musica.be\/nl\/wp-json\/wp\/v2\/media\/2980"}],"wp:attachment":[{"href":"https:\/\/archief.musica.be\/nl\/wp-json\/wp\/v2\/media?parent=2978"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}