{"id":2982,"date":"2024-07-16T13:59:00","date_gmt":"2024-07-16T11:59:00","guid":{"rendered":"https:\/\/archief.musica.be\/?post_type=performance&#038;p=2982"},"modified":"2024-10-15T15:06:34","modified_gmt":"2024-10-15T13:06:34","slug":"chamber","status":"publish","type":"performance","link":"https:\/\/archief.musica.be\/en\/performances\/chamber\/","title":{"rendered":"CHAMBER"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">A furnished room bound by transparent walls fitted with 700 ceramic tile forms the physical space of <em>CHAMBER<\/em>. Reflecting on Virginia Woolf&#8217;s essay A Room of One&#8217;s Own, the performance makes one feel the existential necessity of connection.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Low vibration motors (for car seats) vibrate the walls: the ceramic tiles ring, crash, fall and break. <em>CHAMBER <\/em>assumes the fear of being eaten by the isolation of the room, as it were, when the walls that surround us become more alive than ourselves. Audio feedback, repetitive rhythmic patterns and the breath sounds of Paetzold recorders and walls, emphasise the alienating dimension of the emptiness and eeriness of a bedroom.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Sound design and musical writing: Sarah W\u00e9ry &#8211;<\/em> <em>Scenography, ceramics and lighting design: Milena Forest &#8211; Paetzold recorders: Tomma Wessel, Ines Rasbach and Katelijne Lanneau (Trio Apsara) &#8211; Live electronics support: Patrick Delges (Centre Henri Pousseur)<\/em><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"http:\/\/sarahwery.be\" target=\"_blank\" rel=\"noreferrer noopener\">sarahwery.be<\/a><\/div>\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"http:\/\/milenaforest.com\" target=\"_blank\" rel=\"noreferrer noopener\">milenaforest.com<\/a><\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"CHAMBER\" width=\"1320\" height=\"743\" src=\"https:\/\/www.youtube.com\/embed\/U4IGTtvLW_M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/shop.ticket.monster\/event\/oortreders-festival-idpyry\" target=\"_blank\" rel=\"noreferrer noopener\">Buy your tickets now<\/a><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/12mBN2Fl8OXkOIX5bIGdnK4y81X7E7Ewm\/view?usp=sharing\" target=\"_blank\" rel=\"noreferrer noopener\">Digital Leaflet<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>A furnished room bound by transparent walls fitted with 700 ceramic tile forms the physical space of CHAMBER. Reflecting on Virginia Woolf&#8217;s essay A Room of One&#8217;s Own, the performance makes one feel the existential necessity of connection. Low vibration motors (for car seats) vibrate the walls: the ceramic tiles ring, crash, fall and break. [&hellip;]<\/p>\n","protected":false},"featured_media":2981,"template":"","class_list":["post-2982","performance","type-performance","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/performance\/2982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/performance"}],"about":[{"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/types\/performance"}],"version-history":[{"count":7,"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/performance\/2982\/revisions"}],"predecessor-version":[{"id":3514,"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/performance\/2982\/revisions\/3514"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/media\/2981"}],"wp:attachment":[{"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/media?parent=2982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}