{"id":2961,"date":"2024-07-16T13:59:00","date_gmt":"2024-07-16T11:59:00","guid":{"rendered":"https:\/\/archief.musica.be\/?post_type=performance&#038;p=2961"},"modified":"2024-10-17T12:50:09","modified_gmt":"2024-10-17T10:50:09","slug":"autophagy-iii","status":"publish","type":"performance","link":"https:\/\/archief.musica.be\/en\/performances\/autophagy-iii\/","title":{"rendered":"Autophagy III\u00a0"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>Autophagy III<\/em> is on the one hand a permanent installation, which can be visited throughout the duration of the festival. It is also a composition-performance, in which Tom De Cock (micro-percussion) and Andrea Mancianti (live electronics) enter into dialogue with the installation.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Autophagy III<\/em> &#8211; as a composition-performance &#8211; is a modular work for micro-percussion setup and electronics. The work offers the performer a series of possible configurations of materials, instructions and situations. Some are fully notated, others remain indeterminate, to be reshaped again and again. The micro-percussion setup includes a series of small amplified and processed percussion instruments such as crotals, Tibetan bowls, frame drum, cymbals and a number of square plates made of different materials, such as wood, stone and metal. De Cock sees this micro-percussion set as his real instrument, and a clear alternative to the classical and often very elaborate percussion set: it is the instrument in which his existence as a musician is crystallised. The instrument is meant to always be played in combination with electronics, performed by the same player. (To a text by Valentina Broes, courtesy of Concertgebouw Brugge).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Autophagy III was realised by Andrea Mancianti and Tom De Cock in co-creation on behalf of Centre Henri Pousseur Li\u00e8ge, following a research project funded by FRArt (Le Fonds de la Recherche en Art), in co-production with Concertgebouw Brugge.<\/em><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-right is-layout-flex wp-container-core-buttons-is-layout-89b4c9e9 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/archief.musica.be\/en\/performances\/expo-autophagy-iii\/\">Installation<\/a><\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Autophagy III - Trailer\" src=\"https:\/\/player.vimeo.com\/video\/711151547?dnt=1&amp;app_id=122963\" width=\"1320\" height=\"743\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/shop.ticket.monster\/event\/oortreders-festival-idpyry\" target=\"_blank\" rel=\"noreferrer noopener\">Buy your tickets now<\/a><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/12mBN2Fl8OXkOIX5bIGdnK4y81X7E7Ewm\/view?usp=sharing\" target=\"_blank\" rel=\"noreferrer noopener\">Digital Leaflet<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Autophagy III is on the one hand a permanent installation, which can be visited throughout the duration of the festival. It is also a composition-performance, in which Tom De Cock (micro-percussion) and Andrea Mancianti (live electronics) enter into dialogue with the installation. Autophagy III &#8211; as a composition-performance &#8211; is a modular work for micro-percussion [&hellip;]<\/p>\n","protected":false},"featured_media":2960,"template":"","class_list":["post-2961","performance","type-performance","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/performance\/2961","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/performance"}],"about":[{"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/types\/performance"}],"version-history":[{"count":8,"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/performance\/2961\/revisions"}],"predecessor-version":[{"id":3535,"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/performance\/2961\/revisions\/3535"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/media\/2960"}],"wp:attachment":[{"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/media?parent=2961"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}