{"id":1797,"date":"2023-08-21T16:27:14","date_gmt":"2023-08-21T14:27:14","guid":{"rendered":"https:\/\/archief.musica.be\/?page_id=1797"},"modified":"2023-08-22T14:19:33","modified_gmt":"2023-08-22T12:19:33","slug":"klankinstallatie-composed-nature","status":"publish","type":"page","link":"https:\/\/archief.musica.be\/en\/klankinstallatie-composed-nature\/","title":{"rendered":"Klankinstallatie Composed Nature"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"1460\" height=\"973\" src=\"https:\/\/archief.musica.be\/wp-content\/uploads\/2023\/08\/IMG20230315114754_kl.jpg\" alt=\"\" class=\"wp-image-1896\" srcset=\"https:\/\/archief.musica.be\/wp-content\/uploads\/2023\/08\/IMG20230315114754_kl.jpg 1460w, https:\/\/archief.musica.be\/wp-content\/uploads\/2023\/08\/IMG20230315114754_kl-1280x853.jpg 1280w, https:\/\/archief.musica.be\/wp-content\/uploads\/2023\/08\/IMG20230315114754_kl-640x427.jpg 640w, https:\/\/archief.musica.be\/wp-content\/uploads\/2023\/08\/IMG20230315114754_kl-768x512.jpg 768w, https:\/\/archief.musica.be\/wp-content\/uploads\/2023\/08\/IMG20230315114754_kl-285x190.jpg 285w\" sizes=\"(max-width: 1460px) 100vw, 1460px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\"><strong>Composed Nature<br>Staalplaat Soundsystem &amp; Lola landscape architects<\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">2012<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Twenty-four birches are equipped with vibrating motors that can be activated from a distance to make the leaves rustle. The controllable vibration generates noise fields that surround the visitors. The group of motorized trees forms a sensitive but powerful and interactive instrument that invites to improvise and compose. A (super)natural experience is created with apparently passive actors in everyday life: trees.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>A co-production by Musica, Z33 &#8211; Kunst in de Open Ruimte &amp; PCT Dommelhof. <\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Z33 Kunst in de Open Ruimte is supported by the Flemish Government&#8217;s Fund for Cultural Infrastructure.<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Staalplaat Soundsystem (NL) is the platform on which Geert-Jan Hobijn designs and builds all kinds of sound installations. These projects originate from his interest in the acoustic elements and the social function of the public area.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>LOLA landscape architects is a Rotterdam based design office founded in 2006 by Peter Veenstra, Eric-Jan Pleijster and Cees van der Veeken. With spot-on ideas and actions based on a combination of research and design, LOLA (LOst Landscapes) wants to bring new life to forgotten, worn-out and changing landscapes.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Composed NatureStaalplaat Soundsystem &amp; Lola landscape architects 2012 Twenty-four birches are equipped with vibrating motors that can be activated from a distance to make the leaves rustle. The controllable vibration generates noise fields that surround the visitors. The group of motorized trees forms a sensitive but powerful and interactive instrument that invites to improvise and [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1896,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1797","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/pages\/1797","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/comments?post=1797"}],"version-history":[{"count":2,"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/pages\/1797\/revisions"}],"predecessor-version":[{"id":1927,"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/pages\/1797\/revisions\/1927"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/media\/1896"}],"wp:attachment":[{"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/media?parent=1797"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}