{"id":1773,"date":"2023-08-21T15:59:08","date_gmt":"2023-08-21T13:59:08","guid":{"rendered":"https:\/\/archief.musica.be\/?page_id=1773"},"modified":"2023-08-21T16:10:33","modified_gmt":"2023-08-21T14:10:33","slug":"klankinstallatie-aandacht","status":"publish","type":"page","link":"https:\/\/archief.musica.be\/en\/klankinstallatie-aandacht\/","title":{"rendered":"Klankinstallatie Aandacht"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"1434\" height=\"956\" src=\"https:\/\/archief.musica.be\/wp-content\/uploads\/2023\/08\/MUSICA_KVRANCKEN_2018_0083_kl.jpg\" alt=\"\u00a9 Kristof Vrancken\" class=\"wp-image-1775\" srcset=\"https:\/\/archief.musica.be\/wp-content\/uploads\/2023\/08\/MUSICA_KVRANCKEN_2018_0083_kl.jpg 1434w, https:\/\/archief.musica.be\/wp-content\/uploads\/2023\/08\/MUSICA_KVRANCKEN_2018_0083_kl-1280x853.jpg 1280w, https:\/\/archief.musica.be\/wp-content\/uploads\/2023\/08\/MUSICA_KVRANCKEN_2018_0083_kl-640x427.jpg 640w, https:\/\/archief.musica.be\/wp-content\/uploads\/2023\/08\/MUSICA_KVRANCKEN_2018_0083_kl-768x512.jpg 768w, https:\/\/archief.musica.be\/wp-content\/uploads\/2023\/08\/MUSICA_KVRANCKEN_2018_0083_kl-285x190.jpg 285w\" sizes=\"(max-width: 1434px) 100vw, 1434px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\"><strong>Aandacht<br>Philipp Hawlitschek<\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">2018<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">This small artificial pond is one of the most poetic places in <em>Het Klankenbos<\/em>. It is surrounded with bamboo and has a tree right in the middle. But there is something unusual about this place: as a subtle manipulation of the existing situation, sound artist Philipp Hawlitschek has induced a constant motion into one of the surrounding plants.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A gentle swaying, back and forth, like an inaudible oscillation or the pendulum of a very slow clock, attracts our attention the same way our eyes adjust themselves to a dark room. The work doesn&#8217;t aim to be our sole focus of contemplation, but rather intends for all perceptions, sensory or atmospheric, to be included in its presence. The Dutch word \u2018aandacht\u2019 translates as attention; a similar word in German is used to express a sense of concentration, commitment or devotion.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Philipp Hawlitschek (DE) is an artist focusing on spatial and time-related sound installations that strive to develop a poetic situation through a subtle transformation of space. Generally, no loudspeakers are brought into play: the works use mechanical processes based on tangible materiality. The works are often highly fragile and reward the attentive visitor.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>This installation was developed as the result of the Klankenbos residency with \u2018sound art\u2019 students from the Hochschule der Bildenden K\u00fcnste Saar (HBK Saar) led by Andreas Old\u00f6rp. A temporary prototype was exhibited in the Summer of 2017 before the current, permanent version was created. With the support of C-Takt platform for the arts.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>AandachtPhilipp Hawlitschek 2018 This small artificial pond is one of the most poetic places in Het Klankenbos. It is surrounded with bamboo and has a tree right in the middle. But there is something unusual about this place: as a subtle manipulation of the existing situation, sound artist Philipp Hawlitschek has induced a constant motion [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1775,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1773","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/pages\/1773","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/comments?post=1773"}],"version-history":[{"count":4,"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/pages\/1773\/revisions"}],"predecessor-version":[{"id":1785,"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/pages\/1773\/revisions\/1785"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/media\/1775"}],"wp:attachment":[{"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/media?parent=1773"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}