{"id":4295,"date":"2025-06-30T15:34:51","date_gmt":"2025-06-30T13:34:51","guid":{"rendered":"https:\/\/archief.musica.be\/?post_type=activity&p=4295"},"modified":"2025-07-14T10:08:10","modified_gmt":"2025-07-14T08:08:10","slug":"iyap25","status":"publish","type":"activity","link":"https:\/\/archief.musica.be\/en\/activities\/iyap25\/","title":{"rendered":"IYAP 2025 concert \u2013 Laus Polyphoniae Festival"},"content":{"rendered":"\n

International Young Artist\u2019s Presentation (IYAP)<\/h2>\n\n\n\n

Promising young musicians with original ideas and a bright artistic career ahead present their work to the public after intensive coaching by international early music specialists. Discover the very best work of the selected IYAP ensembles in short showcases during this day of concerts at AMUZ. Cheer for your favourites after a brilliant performance and discover the stars of tomorrow in avant-premi\u00e8re!<\/p>\n\n\n\n

In collaboration with AMUZ – Flanders Festival Antwerp<\/p>\n\n\n\n

The line-up<\/strong> of the six selected ensembles, 2025 edition:<\/strong><\/p>\n\n\n\n

10:00\u00a0Caf\u00e9 1830<\/strong>
11:00\u00a0Aurora’s Mestizas<\/strong>
12:00\u00a0Les Trouveurs<\/strong>
14:00\u00a0Fortepiano Atelier<\/strong>
15:00\u00a0Pont Baroque<\/strong>
16:00\u00a0[H]\u00c9ros Ensemble<\/strong><\/p>\n\n\n\n

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Tickets & festival program<\/a><\/div>\n<\/div>\n\n\n\n

Caf\u00e9 1830<\/strong><\/h3>\n\n\n\n
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Caf\u00e9 1830, founded in 2023, is a clarinet and guitar duo dedicated to exploring the repertoire and artistic world of 1830s salon culture, performed on historical instruments. Making music in domestic settings or inviting musicians to perform in the context of a bourgeois salon for an audience was a very common way of experiencing music, with arrangements of popular pieces for smaller ensembles being entirely natural.<\/p>\n<\/div><\/div>\n\n\n\n

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Program<\/strong>: Sonata Concertata by Niccol\u00f2 Paganini | Waltzes, Op. 69 by Fr\u00e9d\u00e9ric Chopin | Schwanenlied, Op. 1 No. 1 by Fanny Hensel-Mendelssohn | S\u00e9r\u00e9nade by Iwan M\u00fcller
Performers<\/strong>: Marguerite Neves, 19th-century clarinet | Elodie Bruzstowski, 19th-century guitar<\/h5>\n\n\n\n

Aurora’s Mestizas<\/strong><\/h3>\n\n\n\n
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Aurora\u2019s Mestizas is an ensemble brought to life in Belgium witht the aim of working on XVIII century instrumental and vocal music. Founded by both Peruvian musicians Jos\u00e9 Huamani and Edilsa Samanez, it now
is composed of 6 members.<\/p>\n\n\n\n

So much about the sea frightens us: its immensity, its unstoppable force\u2014yet we dive into it despite our vulnerability, discovering both new and ancient worlds, and still nourishing ourselves from it. Oceanus is a source of life and death, of love and sorrow, and symbolizes the inevitability of nature in human life.<\/p>\n<\/div><\/div>\n\n\n\n

Program<\/strong>: Love, against divine tempests
Ensemble Auroras Mestizas presents a collection of works by 18th-century European and Latin American composers, reflecting resilience in the face of life\u2019s dangers\u2014a dramatic tale of both fragility and courage. Featuring music by Nicola Porpora, Arcangelo Corelli, Alessandro Scarlatti, Roque Ceruti, and Jos\u00e9 de Orej\u00f3n y Aparicio.
Performers<\/strong>: Edilsa Samanez, soprano | Sophie Paeshuyse, violin | Maria Florencia Romero, violin | Jose Huamani, viola da gamba | Giorgios Kakitsis, theorbo | Vasco da Silva Pereira, harpsichord<\/h5>\n\n\n\n

Les Trouveurs<\/strong><\/h3>\n\n\n\n
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The French duo Les Trouveurs focuses on medieval music. The ensemble has trained at, among other places, the Centre de musique m\u00e9di\u00e9vale de Paris under the direction of Brigitte Lesne. At the same time, the duo aims to champion the a cappella vocal duo format. Since the vast majority of medieval repertoire is vocal, Les Trouveurs seeks to bring this music back to the stage: both sacred music and the secular songs of troubadours and trouv\u00e8res. In this programme, love songs by the 13th-century troubadour Adam de la Halle take centre stage.<\/p>\n<\/div><\/div>\n\n\n\n

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Program<\/strong>: On demande mout souvent qu\u2019est amours
Performers<\/strong>: Mathias Lunghi, voice | Camile Macinenti, voice & percussion<\/h5>\n\n\n\n

Fortepiano Atelier<\/strong><\/h3>\n\n\n\n
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Fortepiano Atelier, based in Krakow, Poland, is a group of musicians passionate about 19th-century chamber music, historical instruments, and historically informed performance. They aim to share this passion with their audience, reviving both well-known and forgotten 19th-century chamber music works, and bringing them to life as they would have sounded in their own time. A key aspect of this is the unique timbral richness of historical pianos.<\/p>\n<\/div><\/div>\n\n\n\n

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Program<\/strong>: Stanislaw Moniuszko: String Quartet No. 1 (selection) | Robert Schumann: Piano Quintet in E-flat major, Op. 44
Performers: <\/strong>Szymon Strzelczyk, violin | Bartlomiej Fras, violin | Natalia Reichert, viola | Matylda Adamus, cello | Eliza Pawlowska, fortepiano<\/h5>\n\n\n\n

Pont Baroque<\/strong><\/h3>\n\n\n\n
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Pont Baroque is an early music ensemble founded in 2023, directed by cellist Osian Jones. Their name \u201cPont\u201d (the
Welsh word for \u201cbridge\u201d) reflects their mission to connect different nationalities, cultures, and musical styles
from various historical periods to the audience, aiming to create a diverse musical experience that resonates with
people from all walks of life. Pont Baroque presents a programme of 18th-century Baroque music focused on two
major Italian music centres: Naples, the epicentre of vocal art, and Rome, renowned for its instrumental music.<\/p>\n\n\n\n

<\/p>\n<\/div><\/div>\n\n\n\n

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Program<\/strong>: A chamber music evening between Rome and Naples
Performers<\/strong>: Alison Lau, soprano | Aysha Willis, traverso | Riccardo Casamichiela, harpsichord | Osian Jones, cello & artistic direction<\/h5>\n\n\n\n

[H]\u00c9ros Ensemble<\/strong><\/h3>\n\n\n\n
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The [H]\u00c9ros Ensemble was founded in 2022 by students from the conservatories of Amsterdam and The Hague. In this programme, the ensemble recreates a musical \u2018ballet de cour\u2019 centred around the figure of Cupid. Through 17th-century multi-voiced \u2018airs de cour\u2019 by composers such as Etienne Moulini\u00e9, Jean Boyer, and Antoine de Bo\u00ebsset, [H]\u00c9ros tells the story of two lovers. But does a love between a god and a mortal have a future?<\/p>\n<\/div><\/div>\n\n\n\n

<\/p>\n\n\n\n

Program<\/strong>: Le Ballet d\u2019Eros
Performers<\/strong>: Sofia Pedro, soprano | Ana Parejo, soprano | Gabriel Belkheiri Garcia del Pozon, tenor | Wessel van der Ham, bass | MengHan Wu, violin | Adriana Mendez Fernandez, viola da gamba | Xander Baker, viola da gamba, cello & violone | Giuseppe Ciraso-Cal\u00ec, violone | Rafael Arjona Ruz, archlute & baroque guitar | Katerina Orfanoudaki, harpsichord<\/h5>\n\n\n\n

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