{"id":4237,"date":"2025-06-03T11:05:27","date_gmt":"2025-06-03T09:05:27","guid":{"rendered":"https:\/\/archief.musica.be\/?post_type=activity&#038;p=4237"},"modified":"2025-06-04T08:31:14","modified_gmt":"2025-06-04T06:31:14","slug":"summerschool-2025-ars-antica-nova-subtilior","status":"publish","type":"activity","link":"https:\/\/archief.musica.be\/en\/activities\/summerschool-2025-ars-antica-nova-subtilior\/","title":{"rendered":"Summerschool 2025 \u2013 Ars Antica\/Nova\/Subtilior"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Are you a passionate singer who dreams of an enchanting dive into the world of <strong>polyphony<\/strong>? Then the Summerschool is your chance to be part of a unique musical adventure! This course for advanced amateurs and young-professional singers takes place in Antwerp from 25 till 31 August during the <strong>festival Laus Polyphoniae<\/strong>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Cantate Domino Canticum Novum<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Throughout history, artists have proudly declared the invention of a \u201cnew\u201d art. From the groundbreaking notational innovations of Medieval music to the elegant designs of Art Nouveau, that which is new has always been exciting. In 2025, inspired by <strong>the festival Laus Polyphoniae theme of Ars Antica\/Nova\/Subtilior<\/strong>, Cappella Pratensis\u2019 annual Summerschool invites you to explore the rich background of cultural exchange that sparked some of the most exciting innovations in Medieval and Renaissance music. As musicians travelled far and wide \u2013 serving as diplomats, messengers, and even spies \u2013 new musica ideas spread like wildfire!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This year\u2019s program features works by composers such as Guillaume de Machaut, John Dunstable, Guillaume Du Fay, and Adrian Willaert, offering a wide variety of music from this fascinating era. Led by members of the Gramophone Award-winning ensemble Cappella Pratensis, participants should expect to immerse themselves in the theory and practices of the fourteenth and fifteenth centuries. Highlights include historical solf\u00e8ge, the Guidonian Hand, techniques of improvisation and composition, and singing directly from original notation. The week-long course concludes with an unforgettable performance as part of the festival programme, alongside members of Cappella Pratensis.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">During a week of intense sessions led by internationally renowned experts from Cappella Pratensis, you will immerse yourself in Gregorian chant and polyphony, working directly from facsimiles of the original manuscripts and printed editions. The week includes intensive sessions on the art of mensural notation<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><em>An initiative by Musica Impulse Centre, Cappella Pratensis and AMUZ, Festival of Flanders &#8211; Antwerp.<\/em><\/em><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">For whom<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Advanced amateurs and young-professional singers, looking for deepening and artistic growth.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Cost<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>300 euros<\/strong>, including a selection of concert tickets for Laus Polyphoniae. Accommodation is available in every price category, including an excellent youth hostel nearby and a wide variety of hotels.<\/p>\n","protected":false},"featured_media":4240,"template":"","work_area":[23],"class_list":["post-4237","activity","type-activity","status-publish","has-post-thumbnail","hentry","work_area-zintuin-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/activity\/4237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/activity"}],"about":[{"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/types\/activity"}],"version-history":[{"count":2,"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/activity\/4237\/revisions"}],"predecessor-version":[{"id":4242,"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/activity\/4237\/revisions\/4242"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/media\/4240"}],"wp:attachment":[{"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/media?parent=4237"}],"wp:term":[{"taxonomy":"work_area","embeddable":true,"href":"https:\/\/archief.musica.be\/en\/wp-json\/wp\/v2\/work_area?post=4237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}